Overview

Outboard-Slab makes a track dense, punchy and present in one move — the instant-density box of the Outboard line. Internally loudness-compensated: it sounds better, not just louder. A clean ceiling at the output, and a tone control that works in both directions — warmer or brighter. Three macros up front, a multi-stage chain underneath; let it, and AUTO sets the knobs for you.

Outboard-Slab plugin interface
Three knobs. Done.

01/Outboard-Slab

Three knobs. Done.

FAT, COLOR, MIX — that's all it takes. Three knobs take a track from clean to dense and punchy in seconds.

One knob, dozens of parameters

02/Outboard-Slab

One knob, dozens of parameters

Behind every macro sits a tuned curve across several internal parameters: in one turn, FAT raises drive, saturation, compression and a low-end bump.

Density and cohesion

03/Outboard-Slab

Density and cohesion

Saturation and glue compression work in a fixed order: low-end bloom first, then saturation, then the compressor. Bass never pumps the saturation — and the mix audibly pulls together.

COLOR: bipolar, not just brighter

04/Outboard-Slab

COLOR: bipolar, not just brighter

Above zero it gets brighter: a high shelf plus an exciter. Below zero it gets warmer: a gentle high-end roll-off. Meaning: one knob, both directions.

Loudness-compensated, ceiling clean

05/Outboard-Slab

Loudness-compensated, ceiling clean

Auto-makeup: it only gets louder when you ask for it. A clean clipper caps the output, and oversampling runs where it counts: around the saturation stages.

AUTO: an analyzer on a Neural Audio Engine

06/Outboard-Slab

AUTO: an analyzer on a Neural Audio Engine

An analyzer reads rolling statistics of your signal; AUTO translates them into values for FAT, COLOR and MIX and rotates the knobs into place.

Also inside

The details that carry the commit.

  • Three target profiles

    07

    Three target profiles

    Chill, Commercial, Attention — how far AUTO may go: from a subtle fatten to in-your-face density.

  • Parallel by design

    08

    Parallel by design

    MIX is the New York trick as a knob: 100% means committed, anything below fattens in parallel — on drums, bus or master.

  • An order with intent

    09

    An order with intent

    Drive → low-end bump → saturation → glue → color → ceiling. Body first, density next, color late, the ceiling last.

Outboard-Slab

Fatten it. Commit. Move on.

Three macros, one chain, a clean ceiling — Outboard-Slab ships as VST3 & CLAP for Windows.

Windows · VST3 & CLAP · download link by email