Press kit

Outboard-Verb — Press Kit

Outboard-Verb is a stereo delay and reverb for Windows and macOS (VST3 / AU / CLAP) whose decay EQ sets how long the tail rings at each frequency rather than how loud it is — alongside a true-stereo network built from two independent structures, a drifting Liquid engine, an infinite freeze and 540 factory presets.

Outboard-Verb plugin interface in reverb mode — press hero
Press hero (2100×1478)Download ↓

At a glance

Product
Outboard-Verb
Developer
Outboard Audio (Marcel Kirchhof, Germany)
Type
Stereo delay and reverb
Platform
Windows 10 / 11 · x64 — macOS 10.15+ · Intel & Apple Silicon
Formats
VST3, CLAP (Windows) — VST3, AU, CLAP (macOS, Universal)
Version
0.1.2
Price
€39
Release date
29 July 2026
Trial
14-day full trial, no purchase needed to start
Copy protection
Online activation (license key, machine-based), works offline afterwards

Key features

  • Decay time, per frequency
  • A second character that moves
  • Two networks, real width
  • EQ that only touches the tail
  • Delay, reverb, or both
  • Hold it forever
  • Ping-pong with crossfeed
  • Predelay keeps it clear
  • See what the tail is doing
  • 540 presets, 20 categories

Press release

Outboard releases Outboard-Verb — a delay and reverb whose EQ shapes decay time per frequency

Outboard Audio has released Outboard-Verb, a stereo delay and reverb for Windows and macOS in VST3, AU and CLAP formats. Its distinguishing control is a six-band decay EQ: each band multiplies the reverb's decay time in its own frequency range rather than changing its level. A band set to 0.3× makes that range die away in under a third of the time; one at 1.9× lets it ring on nearly twice as long. Level is unaffected, so a large room can keep its size while the high end stops smearing.

A second six-band equaliser shapes the wet path only, drawn over a live spectrum of the processed signal, while the dry signal passes through untouched. The reverb itself is true stereo: left and right run through two independent networks rather than one mono tail spread apart, which keeps a wide setting stable when a mix is checked in mono.

The delay and the reverb occupy one plugin and can run separately or together, with the delay feeding the reverb. Switching between the three states crossfades over roughly 25 milliseconds rather than cutting, so the mode can be changed during a take. Space runs from 0.1 to 20 seconds, with a predelay of up to 500 milliseconds to keep the source in front of the tail. The delay section offers two taps with an adjustable offset, ping-pong, feedback crossfeed, a darkening feedback tone and low and high cuts inside the loop, so their effect accumulates with every repeat.

An alternative reverb character, the Liquid engine, replaces the classic tank with a space that drifts rather than standing still: Flow sets how much it moves, Shimmer lifts a harmonic sheen above the tail, and Tide swells the whole thing slowly in and out. A freeze holds the current tail indefinitely while the rest of the plugin stays live, so the held bed can still be shaped with either equaliser.

540 factory presets ship in 20 categories — 420 reverb and Liquid presets, 60 delays and 60 that route the delay into the reverb, 120 of them built on the Liquid engine — with search, favourites, user presets and a personal default that loads with every new instance.

System requirements: Windows 10 or 11 (64-bit) or macOS 10.15 or later on Intel or Apple Silicon. The interface is resizable and uses the Microsoft Edge WebView2 Evergreen Runtime on Windows. The macOS package is signed and notarised.

Outboard-Verb is available now at outboard.audio/outboard-verb for €39, with a 14-day trial.

  • Decay EQ — six bands that set how LONG the tail rings per frequency, not how loud: 0.3× to 1.9× on the decay time, at unchanged level
  • Post EQ — a separate six-band equaliser on the wet path only, over a live spectrum; the dry signal passes through untouched
  • True stereo from two independent networks, so a wide tail stays stable in mono
  • Delay and reverb in one plugin: either alone or both together with the delay feeding the reverb, crossfaded on mode change rather than cut
  • Liquid engine — an alternative character that drifts instead of standing still, with Flow, Shimmer and Tide
  • Freeze holds the tail indefinitely while everything else stays live and editable
  • Space from 0.1 to 20 seconds, predelay to 500 ms, decay rate from 25 % to 400 %
  • Delay section with two offset taps, ping-pong, feedback crossfeed, darkening feedback tone and low/high cuts inside the loop
  • 540 factory presets in 20 categories, with search, favourites and a personal default
  • Windows and macOS, VST3 / AU / CLAP; the macOS build is Universal, signed and notarised
  • Passed pluginval at the highest strictness level

About Outboard Audio

Outboard Audio is an independent audio-software developer based in Germany, founded by Marcel Kirchhof. Outboard-Verb is its seventh product, alongside Outboard-EQ, Outboard-Slab, Outboard-C, Outboard-AutoEQ, Outboard-60 L and Outboard PalmML.

Assets

High-resolution images and logos for editorial use — click to download.

Screenshots

Outboard-Verb plugin interface on a wide background, 16:9
Full interface — 16:9 (2210×1246)Download ↓
Outboard-Verb plugin interface with the delay section in front
Delay sectionDownload ↓
Outboard-Verb plugin interface, preset browser open
Preset browser — 540 presets in 20 categoriesDownload ↓

Logos & downloads

Links

Press contact

Marcel Kirchhof · Outboard Audio

hello@outboard.audio

Review / NFR licenses available on request.

Get Outboard-Verb

Shape the tail, not just the level.

Delay and reverb in one, with a decay EQ that sets how long the tail rings at every frequency and 540 factory presets to start from. Try it free for 14 days, then €39 to own it forever.

€39Try free for 14 days

14-day full trial · no purchase needed to start

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